Evin of the Trees

The theory of a matriarchal society

 
SPOILER ALERT: 
this post contains details which reveal 
some plot elements in Evin of the Trees

I first came across Graves's The White Goddess in the late 70s. It is an obscure, complex work, at times confusing and alienating - those who quote in Ancient Greek without providing a translation come across as erudite yes, but also arrogant. Here is an admirable summary of his thesis from Wikipedia's entry on Ogham (pron. oyam), the alphabet of the druids:

Graves took his inspiration from the theories of the ogham scholar R.A.S Macalister...and elaborated on them much further. Graves proposed that the ogham alphabet encoded a set of beliefs originating in the Middle-east in Stone Age times, concerning the ceremonies surrounding the worship of the Moon-goddess in her various forms. Graves' argument is extremely complex, but in essence he argues that the Hebrews, Greeks and Celts were all influenced by a people originating in the Aegean, called 'the people of the sea' by the Egyptians, who spread out around Europe in the 2nd millennium BCE, taking their religious beliefs with them. At some early stage these teachings were encoded in alphabet form by poets in order to pass on their worship of the goddess (as the muse and inspiration of all poets) in a secret fashion, understandable only to initiates. Eventually, via the druids of Gaul, this knowledge was passed on to the poets of early Ireland and Wales. Graves therefore looked at the tree alphabet tradition surrounding ogham and explored the tree folklore of each of the letter names, proposing that the order of the letters formed an ancient "seasonal calendar of tree magic". Although his theories have been disregarded by modern scholars...they have been taken up with enthusiasm by the neopagan movement. 

Why write? Why e-publish? Why blog?

                                        Why indeed?

Disclaimer: I do not credit myself with any great talent, particular inspiration or brilliance. I simply feel the need to write. Writing adds another dimension to life. Exploring and developing ideas for a story is stimulating. Creating new worlds, or one's own version of familiar worlds, is extremely satisfying.  And I love telling a story. I write stories that I would have liked to read as a child and young person. And that is almost enough.

An 'ulterior motive', in the more serious narrations, is an intellectual one: to examine how knowledge has been transmitted over the centuries, particularly through language and writing, how skills we now take for granted, in the past were unknown to most and secret to a few. Whether this exploration is imagined or factual is not really the point; the former can stand for the latter in a novel.